As one of the most popular classical authors in the efficiency collection of expert and amateur orchestras and choirs throughout the world, Gustav Mahler continues to produce substantial interest, and the international hunger for his music, and for conversations of it, stays big.
Editor Jeremy Barham combines leading and emerging scholars in the field to check out Mahler’s relationship with music, media, and concepts previous and present, resolving concerns in structural analysis, efficiency, categories of phase, screen and literature, cultural motions, aesthetic appeals, history/historiography and temporal experience.
Reassessing Mahler reverses dominating academic presumptions and choices that set up Mahler as proto-modernist, with hitherto overlooked factor to consider of his financial obligation to, and his re-imagining of, the traditions of his own historic past.
Throughout 17 chapters drawing from a range of disciplinary viewpoints, the book pursues concepts of fond memories, historicism and ‘pastness’ in relation to an emerging modernity and subsequent musical-cultural advancements, yielding a comprehensive expedition and re-evaluation of Mahler’s works, their historic reception and understanding, and their definite effect within varied cultural contexts.
Reconsidering Mahler will be a vital resource for scholars and trainees of Mahler and late Romantic period music more usually, and will likewise discover an audience amongst the lots of enthusiasts of Mahler’s music.
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